Jon P

Archive for the ‘MAX/MSP’ Category

max post nouveau

In MAX/MSP on 11/05/2009 at 10:09 PM

#1 Using two previous patches from my own blog, I’ve found a way to combine x fade with a sound affected jit.matrix/op window to filter video feeds. Patch available as text below, minus the 20 videos…
Picture 2
#2

#1
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———–end_max5_patcher———–
#2

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Monica, Your Mother is a Whore Documentation

In MAX/MSP on 10/22/2009 at 9:22 PM

Monica, Your Mother is a Whore: Parts One & Two
Afternoon Delight Pitch Affected Karaoke Patches Documentation
IMG01492-20091004-1330
Monica, Your Mother is a Whore: Part One is a patch of custom software made for Afternoon Delight Karaoke, an interactive performance hosted by Rebecca Dolan and Adam Trauwein.
karaokeFlier

Monica, Your Mother is a Whore: Part One was created in the software package Max/MSP/Jitter. This patch works interactively with the performer by automatically assessing the pitch and volume of their voice to vary the speed, brightness, contrast and saturation of the video projected on screen. Manual adjustments affects the cross-fading of two separate video feeds. Here is a short clip of the patch and performance working together.

Performed:
October 4, 2009, Noon-4 PM
The Walnut Room, Denver, Colorado

Click the image below for a better view of this specific patch.
maxPatch1

Much in the same vein of Monica, Your Mother is a Whore: Part One, a second patch- Monica, Your Mother is a Whore: Part Two relies heavily on one video being driven by a performer’s vocal pitch. This second video is derived from an adult movie where a voyeur watches an interaction from a concealed environment, the footage is primarily toned red. To move this video, my patch uses volume and pitch input to change brightness, contrast, saturation, and the speed of the video. However, this patch differs in that it allows for manual adjustment of temporal processing to dictate the outcome which creates blurry video that peaks with momentary lucidity. Click the image below for a better view of this specific patch.
maxPatch2Monica, Your Mother is a Whore: Part One text patch (lacking video files):

———-begin_max5_patcher———-
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———–end_max5_patcher———–

Monica, Your Mother is a Whore: Part Two text patch (lacking video files):

———-begin_max5_patcher———-
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———–end_max5_patcher———–

MAX ?’s finally…

In MAX/MSP on 10/11/2009 at 7:38 PM

Sorry to Rebecca and classmates for not posting sooner, I’ve been a little busy lately so don’t take the lateness of this post as a hostile act of rebellion or anything. I now have the time…
My questions from reading are:

1. While I’m relieved that Max uses an object-oriented language to more easily program rather than relying on strict coding language- it seems a little much. Like Robert eluded to the idea of an even more user-friendly interface in his post, would the availability of a program like Max to a larger population devalue it’s wow-factor? Would you be more willing or less willing to explore with this tool if it weren’t such an abstract/esoteric presence in the world of interactive media?

2. A point that was brought up during a discussion in my thesis class was the idea that art is supposed or can be therapeutic however, since becoming a student, I have experienced art as everything but therapeutic and was wondering if I’m doing something wrong. Is it possible within the framework of digital art for a balance of technical and conceptual that could end up qualifying as therapeutic rather than arduous, devastatingly technical or mind-numbingly abstract to the point of alienation? I guess I’m relating this to the McLuhan idea of medium is the message- where the message I’m getting is to become a painter. Any thoughts?

MAX/Jitter Lovin’

In MAX/MSP on 09/29/2009 at 5:13 AM

Candace and I played with Jitter tutorials this weekend and were successful in incorporating a live video feed from a DV cam that could be distorted using Rebecca’s provided brocosa object. Unfortunately, my demo expired and I’m not able to post the patches we came up with yet. The Jitter tutorials are amazing though and have invigorated my interest in these programs and given me hope that the karaoke project is possible now.
Picture 18
I also found an online set of tutorials (without shared patches however) using Jitter to mix video. I’m curious about setting these dual video inputs to be affected by incoming audio for karaoke by having frequency and volume to drive each of the two videos to create one mega video. More on that this week…
jittereffects02
jittereffects03

new max post

In MAX/MSP on 09/21/2009 at 5:14 AM

Updated my past posts with the awesome system Sean told us about on Thursday and I’ve been playing with a couple of patches.
Below is a modified version of the patch I showed in class with the 3D donut with the video overlay using the “texturizer” object. I am able to keep the donut spinning at a constant rate, use mouse-click to move the donut, color the donut and see inside the donut. The patch uses “text map” to multiply the video into a grid with multiple screens displaying onto the spinning donut. It also apparently has the capability to use different camera angles to better view the donut. Takes a lot of fiddlin’.
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________________________________
________________________________

I also found a patch the uses the adc~ to display audio signals visually with a strict black and white dot freakout using the lcd disply. I modified it to create a mirrored effect by playing with the arguments in each object. I also tried to affect the amount of dots and explored duration and how to make them fade away faster. The volume seems to affect the way the patterns are created. Much like the periphery of your focused eye while experiencing an acid trip. I want to find out how to combine this componant with video somehow…
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max possible?

In MAX/MSP on 09/17/2009 at 8:02 PM

Works that I’ve found that interest me:

#1 Paul Sermon, Telematic Dreaming, 1992

This piece relies on interaction to drive the video pieces of another in this projected bed environment. The piece successfully blends interaction with a digital realm to create a fully immersible place. It seems possible to create this type of piece with Max. This piece uses video into a newer context that is unexpected and beckons interaction while conveying certain issues inherent with digital work and simulation. I can use this idea as a potential basis for a Max project that immerses a viewer in a surreal and digital environment.
mediaartnet.org
bild

________________________________
________________________________

#2 Nathaniel Stern, Undertoe, 2007

This proposed piece invites an audience to become part of the art by tracking their footsteps which are translated to water drops displayed above them on the ceiling. Another example of a manipulated environment to offer the viewer a world apart from an experience they cannot ordinarily have. What really interests me about this and the above piece is the possibility of interpreted data affecting video. Whether physically tracked movements or changed through any various input, it’s intriguing to think it might be possible to use a real-time manipulation to distort or change a video’s output. This could absolutely be the basis for a Max project that uses an installation to create another reality for an audience to affect.
nathanielstern.com
undertoe

________________________________
________________________________

#3 Nick Bruscia & Aaron Miller, 16 Candles, 2007
While this piece seems a bit out-of-my-ability, I think the simple use of a fixed camera on a subject using a single channel projection to create 16 separate screens, each being directed by a moving grid of mirrors, is beautiful and intriguing. It seems possible to use Max to control the speed and duration of the mirrors’ movements. The idea makes me think of a “raining” sheet of videos that provide the same imagery but a more diverse presentation than simple projection. The circuitry attached to the mirror grid seems a little daunting but the idea might be helpful to inform a new way of presenting imagery and invoking something emotional.
creativeapplications.net
sixteen02-320x213

max patches 02

In MAX/MSP on 09/08/2009 at 7:11 PM

I’ve been slightly investigating the possibility of using video in max. I posted two links to different sources that each seem to be using video in different ways. The first patch loads a quicktime movie and does things with numbers that seem to reflect the frame count or at least count the frames for the duration of the movie. I’m not sure how to use this…
Picture 1

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max links

In MAX/MSP on 09/01/2009 at 9:06 AM

1CTIN 534 Experiments in Interactivity I
Exploration and experimentation in designing innovative interactive experiences

2Granulator patch

3 another class blog

4Color Soluble

5Patches using sampling

6Programming for Artists?

7MIT Electronic Music Book

8Art Music Video

9Ton of shit here

10Jitter tutorials

11Rebecca’s Pitch magic site

max patches 01

In MAX/MSP on 08/25/2009 at 6:34 AM

These pictures are terrible and I can’t seem to upload my patches for download but here they are: playing with our class lecture and finding an online tutorial involving using a matrix and oscillators.

#1 Class

This patch is an experiment based on the first MAX demo we saw in class. I just played with using more toggles and different ways to change the frequency and pitch of tone emissions.

classMAXblog01

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________________________________
________________________________

#2 Web

The second patch comes from a YouTube tutorial about using a matrix to control different oscillators. I used other info from Max tutorials to change frequency and pitch in four different ways that use various ojects to change output.
Follow the green instruction squares from 1 to 9 to experience the noise.
Clicking the ezdac~ object (Volume Icon) enables audio.
Clicking the grey matrix grid sets points that correspond to each column that connects to each oscillator.
Every RED OBJECT is interactive.

webMAXpatch01

YouTube
How to use the matrix in Max MSP – Tutorial

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